Programs

Where

Special Screenings

Photo by Claude Wang

Introduction

Taiwan / 2022 / 91 min
Director:TSAI Ming-Liang

The 9th film in the Walker series, produced in conjunction with Tsai Ming-Liang’s extensive retrospective and exhibition “Une Quête” held at the Center Pompidou in Paris from November 2022 to January 2023. Following his performance in “Days” (2020), Anong Houngheuangsy plays himself in this film where he encounters a pilgrim played by Lee Kang-shen in the bustling streets of Paris. According to the producer of this film, Tsai considers this and the 10th film of the Walker series “Abiding Nowhere” (2024) as sister films, and this film is intended to position later in the sequence. Anong Houngheuangsy draws many lines with a charcoal on a very large white canvas-like cloth placed on the floor of the large space in Centre Pompidou, and the pilgrim walks very slowly beside him. Despite the extreme slowness of their movements, the encounter between the two is very thrilling.

Photo by Claude Wang

Director:TSAI Ming-Liang

Born in Malaysia in 1957, Tsai Ming-Liang premiered his debut feature, Rebels of the Neon God, at the Berlinale in 1992. His sophomore film, Vive L’ amour (1994), won the Golden Lion award at the Venice Film Festival while The River (1996) won the Jury Award at Berlin, thus solidifying his status as a major filmmaker. All of his feature films so far have been selected by the top three film festivals of the world while five of them have won the FRIPESCI Award. In 2009, Face became the first film to be included in the collection of the Louvre Museum’s “Le Louvre s'offre aux cinéastes”.

In recent years, Tsai has also received attention in the art world, having been invited to participate in various art exhibitions and festivals, and for putting forth such aesthetic ideas as the “Hand-sculpted Cinema” and “The removal of industrial processes from art making”. In 2012, he began his “Slow Walk” series and has since completed 10 films, screened at art festivals and galleries around the world. Back in Taiwan, he actively promoted the concept of “Art Museum as Cinema” and “The Author’s Intended Way of Viewing”, introducing new film-watching modes as a way to balance the overly commercialized film market.

Schedule

11/25(Mon)12:50 -

Marunouchi TOEI

12/1(Sun)15:00 -

Marunouchi TOEI

note