Argentina, United States, Mexico, France, Netherlands, Denmark / 2025 / 122min Director:Lucrecia MARTEL
Director Lucrecia Martel’s first feature-length documentary. It follows the 2009 killing of Javier Chocobar, an Indigenous leader in northern Argentina, who was murdered while trying to protect his ancestral land, and the subsequent trial. The film situates the incident within a 500-year history of colonial violence and land dispossession, exposing the structural injustices that persist in contemporary Argentina.
In 2009, in northern Argentina’s Tucumán Province, Javier Chocobar, a leader of the Indigenous Chuchagasta community, was shot and killed on the front lines of a land dispute. Centered on the court battle that began nine years later, the film carefully traces the colonial legacy that continues to shape struggles over land rights and ownership. Moving between courtroom scenes related to the murder case and images of the mountainous region where the conflict took place, along with the daily lives of Indigenous people, the film weaves together diverse materials—trial footage, witness testimony, archival photographs, aerial shots—not in chronological order, but deliberately offset and collaged like a mosaic. Gradually, the film reveals how colonial-era procedures and contracts remain embedded in and active through modern systems, while also bringing to the surface the history and memory held within the land itself. The film had its world premiere in the Out of Competition section at the Venice Film Festival.
Born in 1966 in Salta, Argentina, Lucrecia Martel studied film and audiovisual arts in Buenos Aires. Her short “Dead King” (1995) won Best Short Film at the Havana Film Festival. Her debut feature “La Ciénaga” (2001) received the Alfred Bauer Prize at Berlinale and the Sundance/NHK Award, marking her as a key figure of the New Argentine Cinema. “The Holy Girl”(2004) and “The Headless Woman” (2008) premiered in Competition at Cannes, while “Zama” (2017) received major awards at the Argentine Academy. Her first documentary, “Landmarks” (2025), developed over a decade, premiered at the Venice Film Festival.